Last modification: 01/19/08 19:26
Blog Material
Product Reviews Recording Items
Guitar School Recording Magazines
Copyright Searches Recording
Patents Freeware Amp & Tape Sims
Social Networking
Humor
Some of these things just can't be easily categorized, or might have been
better off as blogs. However, the word "blog" wasn't even invented when I wrote
most of these!
Presented, for your archival enjoyment:
Whatever happened to Deluxe Paint?
Dallas'
DPaint interview with the Swedish Amiga magazine
AZine
Thinking
about renting a U-Haul? Caveat Rentor!
Install a home generator and go off the
grid.
A short essay on guitar
and growing up.
University doesn't offer PPP dialup? Surf the Web using your
student
UNIX account.
ISP logs you off after 10 minutes of
idle? Run KeepAlive 3.0 and surf with impunity! (Win
'95, NT)
Back in the days of Front Page 1.0, I taught students all they needed to know in FrontPage 101
A particularly good analysys of the end run toYngwie's song
Rising Force, with a tip on nomenclature.
Reading the Binaural Perception of Masking
reminds me why I never pursued a PhD.
From The Reader's Mailbag:
So You Want To Be A Star, Or :
Some Musical Career Advice To A Young
Man

A tube pre isn't complete without a good overdrive to put in front of it. Like
the MI Audio Tube Zone!
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Elegant Sounds Await
with the pedal-sized AMT Electronics SS-20
Tube Guitar Recording Preamp
Whet your appetite
for tubey recording with this ART "Project Series"
Tube Mic/Inst Preamp w/USB
Stealth Taping, or
Field Recording? An early-adopter's look at the
Edirol R-09 24-bit WAV/MP3
Recorder
SONAR 6 "hands on" Product Review,
updated and unexpurgated - fresh from the 121st AES show
Coming Soon: Line6 TonePort UX8, Peavey JSX Micro Colossal, XOTiC BB
Plus, Grendel Sound Dead
Room, and more!

I became a paying subscriber to GuitarWar (later MusicianWar).com in 2001, contributing a number of tech articles and several dozen songs over the years as "CapnZilog" . By 2007 the community had around 300 active competitors, but since the site's opening over 1,100 people and 200 teams from all over the world have collectively participated in over 7,000 musical battles. Think of it as "American Idol" for the lead guitar set (and thanks to the great Sacramento Trek-punk band Warp11 for inspiring the logo... "McCoy's" expression just cracks me up!)
A Decibel Primer (Oct 27, 2006)Updated article here (PDF) Stereo Spatialization For Bigger Mixes (Jun 24, 2006) [mp3] Simulating Analog Tape Flange In SONAR 5 (Jun 08, 2006) [mp3] Recording your Guitar - Wet, or Dry? (Feb 15, 2006) Understanding Sample Rates & Wordlengths (Feb 02, 2005) Effects: Track Insert, Aux Send or Bus? (Jan 30, 2005) Far Beyond Compression (4 advanced control freaks) (Dec 16, 2004) MP3 Encoding (Sep 30, 2004) Taming The Reverb Options Monster (Aug 31, 2004) Optimized Picking, Ice Skating & Turntables (Aug 10, 2004) Cap'n Zilog's Amazing No-Tears Tab Solution (Jul 20, 2004) How Do I Record A Bass Guitar? (from TAXI - Jun 23, 2004) Your Best Bet For A #1 Song (from TAXI - Aug 21, 2003) Preserve Your Bits! (Mixing & Mastering) (Feb 25, 2003)
MusicanWar Newsletter Nov '06 (topic:
SONAR6 Producer Edition)
MusicianWar Newsletter July '06 (topic:
The Jimmy Hats)
MusicianWar Newsletter Apr '03 (topic:
Interview w/CapnZilog)

TapeOp (creative home & pro recording,
free subscription!)
Audio Media (trade
magazine, free
digital version available)
Live Sound International (trade
magazine, free
digital version available)
Pro Audio Review (trade magazine, free digital
version available)
Audio Technology (AU) (pro &
home recording)
Computer Music (UK) (home
recording)
Future Music (UK) (home recording)
Music Tech (UK) (home recording)
Sound On Sound (UK) (pro & home
recording, w/Craig Anderton)
Electronic Musician (home recording)
EQ (home recording, edited by Craig Anderton)
Mix (pro studio recording)
Recording (home recording)
Virtual Instruments (just
like it says)
AES Journal Online
(members only, academic)
Computer Music Journal (MIT quarterly,
academic)
Classic Rock Magazine (UK) (Read enough of the above and one day you might end up in here...)

The Harry Fox
Agency (physical sound recording royalties, aka 'mechanicals')
ASCAP (songwriter
performance royalties)
BMI (songwriter
performance royalties)
SESAC (elite
songwriter performance royalties, by invitation only)
Sound Exchange
(songwriter and sound recording performance royalties for
Satellite & Net Radio)
U.S. Copyright Office (it all
ends up here!)
Also see: Is It Protected
By Copyright?
UPC Code Lookup (what's
your CD's label? You can also try
here.)
CDDB Music Map: Who's Listening To What,
Worldwide

BBE Sound
Bob Moog
Eric Pritchard
Groove Tubes
Korg
Roland
SR&D
B.K. Butler
Mesa/Boogie
Michel Doidic &
Marcus Ryle
Peavey Electronics
Yamaha


Arie Ardiansyah's Aradaz Amp
BTE Audio
Juicy77
Ferox Vintage Tape
Modeller
Fretted Synth Audio FreeAmp
Nick Crow's Tube Driver (supports
oversampling!)
Nick Crow's
Wagner Mk. 2 Sharp
Togo Audio Line TAL-Tube
Musicrow Preamp
Emulator
Wurr Audio Engineering
Little Tube
Booster
Not Free, But Almost
Auraplug Ampfire
!
Gallo Engineering Studio Devil
MasonSoft Dammit Distortion
Wurr Audio Engineering
Green
Machine Amp II
Dallas on MySpace
...and
LinkedIn
of course,
TAXI
and sometimes, Facebook
Halfpixel Madness
("You.0", where hast thou gone? Click strips to read full-size)
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Oh, how I hated that jingle
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Hell hath no fury like a Dark Lord scorned
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Hell hath no fury, The Conclusion
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And it's probably not the first time, either...

Some of my Favorite Things can be found here, reviewed.